Pay in installments of $137.50 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Aug 2 - Aug 7
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Aerpro AMATO26 9" HEAD UNIT TO SUIT TOYOTA9" HEAD UNIT TO SUIT TOYOTA Model: AMATO26 Brand: AERPRO Category: 9 AND 10 INCH COMPLETE KITS Type: AMA KITS The Aerpro AMATO26 9" Multimedia Receiver with Wireless Apple CarPlay and Android Auto suits Toyota Landcruiser 200 Series (2016 2021) vehicles (does not suit Sahara, VX and GX models). Featuring a large 9" capacitive touchscreen display, this Multimedia Receiver has Apple CarPlay and Android Auto which can be used wireless or wired, built in
9" HEAD UNIT TO SUIT TOYOTA
Model: AMATO26
Brand: AERPRO
Category: 9 AND 10 INCH COMPLETE KITS
Type: AMA KITS
The Aerpro AMATO26 9" Multimedia Receiver with Wireless Apple CarPlay and Android Auto suits Toyota Landcruiser 200 Series (2016-2021) vehicles (does not suit Sahara, VX and GX models). Featuring a large 9" capacitive touchscreen display, this Multimedia Receiver has Apple CarPlay and Android Auto which can be used wireless or wired, built-in Bluetooth for hands-free phone calls & wireless audio streaming, dual rear USB inputs as well as an AM/FM radio tuner. Sound quality is superb with 50Wx4 max output, 8 band graphic EQ and time alignment capabilities, amplifiers can be added to the system via the 4V/5CH RCA preouts. Supplied as a complete Head Unit Upgrade Kit, the Aerpro AMATO26 includes all the parts required to complete the installation and retains important vehicle features including steering wheel controls, USB input, AUX input and the factory reverse camera (if equipped).
Key Features:
- To suit Toyota Landcruiser 200 Series (2016-2021) vehicles (does not suit Sahara, VX and GX models)
- Includes all the parts required to complete the installation and to retain important vehicle features
- Apple CarPlay & Android Auto (wireless / wired)
- Large 9" capacitive touchscreen display
- Steering wheel control (including phone button), USB input, AUX input and factory reverse camera retention (if equipped)
- Bluetooth with external microphone included (A2DP, AVRCP, HFP, PBAP)
- AM / FM Tuner with RDS & presets (18FM/12AM)
- Rear USB input (1.5A max charging)
- Dual camera inputs (AHD 720P compatible) & rear A/V input
- 50Wx4 Max with 8 band graphic EQ and time alignment capabilities
- 4V/5CH RCA Preout and subwoofer level control
Specifications:
- AMATO26 HEAD UNIT UPGRADE KIT SPECIFICATIONS:
- Kit Inclusions:
- AM9X Multimedia Receiver
- Gloss Black Facia Kit
- Steering Wheel Control Interface Harness
- SWC Patch Lead
- Antenna Adaptor
- Camera Retention Adaptor
- USB Retention Adaptor
- Vehicle Feature Retention:
- Steering Wheel Controls: Yes (including phone button)
- Factory Reverse Camera: Yes (if equipped)
- AUX Input: Yes (if equipped)
- USB Input: Yes (if equipped)
- Parking Tones: N/A
- Factory Amplifier: No
- Vehicle Menu: N/A
- Other: N/A
- AM9X MULTIMEDIA RECEIVER SPECIFICATIONS:
- LCD Display:
- Size: 9"
- Resolution: 1024x600
- Touch Screen: Capacitive (G+G)
- System Specifications:
- OS System / CPU: Linux 3.4.5 / SPHE8368U
- RAM / Flash Memory: 128MB / 256MB
- DIN Size: 2 DIN Short Body
- Power Output
- Rated Power (4 Ohm @ 14.4 V, 1 kHz, THD 10 %): 4CH x 25W
- MAX Power (4 Ohm): 4CH x 50W
- Media Playback: MP3 / AAC / FLAC / Xvid / MPEG 1, 2, 4
- Device Ports
- USB 1 (Rear) Playback Formats: CP,AA & Media
- USB 2 (Rear) Playback Formats: Media
- USB (Rear) Power - Voltage/Amps: 5V/1.5A Each
- USB MAX Capability: FAT32_32GB
- Aux Inputs / Outputs:
- Rear A/V Input (RCA Type - 3pcs): Yes
- Composite Video Outputs: Yes
- Reverse Camera Input: Yes (720P AHD Compatible)
- Second Camera Input: Yes (720P AHD Compatible)
- Smartphone Connectivity: CarPlay & Android Auto (Wireless and Wired)
- Bluetooth:
- Bluetooth Built-In: Yes (A2DP, AVRCP, HFP, PBAP)
- Bluetooth Version: V4.2+EDR
- Microphone: Built-in & External Microphone
- ID3 Tag/Information (Artist, Album, Song): Yes
- HFP Profile (1.2, 1.4 or HD Voice 1.6): HFP 1.6
- Tuner:
- AM/FM (# of Presets): AM 12 (6X2) / FM 18 (6X3)
- FM Frequency Span (MHz): 87.5-108.0MHz (0.05MHz Step)
- AM Frequency Span (KHz): 529-1629KHz (9KHz Step)
- RDS: Yes
- FM Antenna Connector Impedance: 50 Ohm
- FM Tuner Connector: Motorola
- RCA Preamp Outputs:
- RCA Preamp Output: 2-Pair (Front / Rear)
- Subwoofer RCA Output: Yes
- Subwoofer Level Control: Yes
- Preamp Voltage (1.2,2,4,5,6): 4V p-p
- Tone Control:
- 8 Band: 8 Band (50/200/400/800/1K/3K/7K/15K)
- Loudness: Yes
- LPF - Frequencies (Sub): Yes
- 8 Preset EQs: Default, Custom, Classic, Rock, Jazz, Electric, Pop, Soft
- Other Features:
- Steering Wheel Control: Yes, with Aerpro SWC Adaptor
- OSD Language: English
- LED Colour (Buttons / Keys): White
- Accessories:
- Power Harness: Yes with ISO/3.5mm jack
- AV-In Cable (RCA with Audio L/R, Video In): Yes
- Reverse Camera Input (with 12V power supply to the camera): Yes
- 4.1CH Audio Out Cable: Yes
- External Microphone: Included
- IMPORTANT INFORMATION:
- Head Unit Upgrade Kits can vary between vehicle models, please use the Aerpro What Fits Your Car Guide to find the correct parts.
- Does not suit Sahara, VX and GX models.
- Reverse Camera Retention uses the reverse camera input of the head unit.
- USB Input Retention uses the USB input on the rear of the head unit.
- AUX Input Retention uses the RCA AUX input on the rear of the head unit.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.0 ★★★★★
Based on 26 reviews
Sort
Product Reviews
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020